History of St Edmund's Hardingstone
History of St Edmund's Hardingstone
The
greater part of the present building is of 14th century date, but the
lower part of the tower may belong to an earlier structure. The
14th-century rebuilding comprised chancel, aisled nave, north porch, and
the upper part of the tower; early in the 15th century the chapel on
the south side of the chancel was added, or an older one modified, and
the south porch erected.
Extensive repairs and alterations in the 18th century have left their
mark on the fabric, especially in the chancel, the north, east, and part
of the south walls of which appear to have been rebuilt on the old
foundations. Other evidences of 18th-century reparation remain in the
plastered ceilings of both porches, the finial on the gable of the north
porch, the pinnacles of the tower, and a small font bowl in the
churchyard.
The pointed bell-chamber windows are of two trefoiled lights with
quatrefoil in the head, and the tower terminates in a battlemented
parapet with 18th-century angle pinnacles surmounted by iron vanes. The
wide pointed tower arch is of three square orders towards the nave, on
chamfered imposts, the voussoirs being alternately of dark- and
light-coloured ironstone.
The font is modern, with octagonal stone bowl, in the style of the 14th
century. The oak pulpit is in memory of the Rev. N. T. Hughes, vicar
1892– 1913.
The fine alabaster monument, erected 'to the pious memory of Stephen
Harvey Esq. [d. 1606] auditor of the Dutchy of Lancaster', his wife (d.
1590), and three sons, stands against the north wall of the chapel at
its east end. The kneeling figures of the man and wife together with a
shield of arms are above the cornice, below which are three canopied
recesses containing the effigies of their sons, all kneeling, the
youngest, Stephen Harvey, citizen and merchant of London 'by whose
appointment this monument was erected', being in the middle. On either
side are Sir Francis Harvey, kt., one of the Judges of the Common Pleas
(eldest son) who died 1632 and 'lyeth hereby buried', and William
Harvey, who died 1633 and was buried at Weston Favell. The arched
canopies are supported by columns of black marble, and in the lower part
of the monument are inscribed black marble tablets.
The monument of Sir Stephen Harvey, Knight of the Bath (d. 1630), son of
Sir Francis, is against the south wall of the chapel, and is of white
marble with recumbent figure in the habit of the time.
Within an arched recess in the south wall of the chancel is a
table-tomb, the slab of which is without inscription and at present
forms a seat. The arch is enriched with Renaissance ornament and is
surmounted with the Tate crest. On the north wall is a large marble
monument by Rysbrack with portrait busts to Bartholomew Clarke of
Roehampton (d. 1746) father of Lady Bouverie, and Hitch Young (d. 1759)
brother to Mrs. Clarke, and in the chancel floor are the marble
grave-slabs of Bartholomew Tate (d. 1704) and Mary widow of William Tate
(d. 1699). A tablet at the west end of the south aisle records the
burial in a vault under the chancel of Benjamin Clarke (d. 1765), and
the chancel contains a number of marble tablets to members of the
Bouverie family, and one of alabaster to John Augustus Sheil Bouverie
(d. 1894) and his son Francis Kenelm (d. 1891). In the aisles are a
number of memorial tablets of 18th- and 19th century date, and one in
oak in memory of twenty-five men of the parish who fell in the war of
1914–18. In the south aisle is an iron-bound chest with three locks. A record of the organ's installation in 1894 can be found here.
The information above is principally taken from A History of the County of Northampton: Volume 4 L. F. Salzman
Extensive repairs and alterations in the 18th century have left their mark on the fabric, especially in the chancel, the north, east, and part of the south walls of which appear to have been rebuilt on the old foundations. Other evidences of 18th-century reparation remain in the plastered ceilings of both porches, the finial on the gable of the north porch, the pinnacles of the tower, and a small font bowl in the churchyard.
The pointed bell-chamber windows are of two trefoiled lights with quatrefoil in the head, and the tower terminates in a battlemented parapet with 18th-century angle pinnacles surmounted by iron vanes. The wide pointed tower arch is of three square orders towards the nave, on chamfered imposts, the voussoirs being alternately of dark- and light-coloured ironstone.
The font is modern, with octagonal stone bowl, in the style of the 14th century. The oak pulpit is in memory of the Rev. N. T. Hughes, vicar 1892– 1913.
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